Importance of Marketing of a Bank

Official Summary Bank as the budgetary administrations business is prospect full verifiable succession. Banks are straight operators to make open doors for development in a nation and furthermore make accessible enormous size of work openings. Banks must pay publics’ cash when they require, likewise it makes or not. In this way, the remuneration bundle of a bank ought to be dissected cautiously. Shahjalal Islami Bank Limited has its successful the past, brilliant present, expected possibility and under giving out activities and behavior.Established as the primary private part bank totally claimed by Bangladeshi business visionaries, Shahjalal Islami Bank Limited has been prosperous as the greatest private segment Bank with the method of time after inverse many weight and harm. The individuals from the top managerial staff are creative business person and premier industrialist of the nation. To remain defeat with time and in concurrence with national and global money related co nduct and for portrayal all current services.Shahjalal Islami Bank Limited as a budgetary association, mechanized every one of its branches with PC organizes in concurrence with the forceful business demand of time. In addition, remembering its imminent future, the interchanges of the Bank has been adjusted. The conviction of all class businesspeople, business people and general network is an extraordinary arrangement extra to Shahjalal Islami Bank Limited.Keeping the objective as a top priority, Shahjalal Islami Bank Limited has taken game plans to open 15 new branches and 5 SME focuses constantly 2010. In this report, I have attempted my best to recognize â€Å"Determine the Level of Satisfaction of Customers at Shahjalal Islami Bank Limited, Mohakhali Branch†. What's more, in conclusion, discover the best possible arrangement and for the customer’s disappointment with respect to the administration has been given.

Aspects of Breast Cancer :: essays papers

Parts of Breast Cancer As per the American Cancer Society, in the United States in 1997 alone, 180,000 individuals were determined to have a shocking illness. Of all sorts of malignant growth bosom disease positions second and is the main malignant growth which is deadly in ladies between ages of 15 to 54. This malignant growth is inside the main three malignant growths of all ladies over the age of 15. This terrible sickness is bosom malignant growth. Bosom disease is a gathering of quickly developing repeating, undifferentiated cells in the zone of the bosom in a lady. The most punctual stages happen in the epithelial cells of the terminal end buds (TEB) of the bosom milk ductal framework. While the reasons for bosom malignancy are obscure, the cells in the bosom trigger a response of cell generation. These new disease cells structure tumors. On the off chance that malignant growth cells are dynamic or are considered malignate, the tumor develops at huge velocities, furthermore, may wind up in metastasis. Metastasis is a procedure where cells split away from their essential tumors and is brought through the blood flexibly or through the lymph framework and migrate into different organs, in this way spreading malignant growth all through the body whenever left untreated. By and large, if a protuberance is short of what one centimeter, it is viewed as generous, albeit each lady ought to counsel her PCP about any bizarre knocks or feeling in the chest. One indication of bosom malignancy results from ductal disease in the bosom. A once empty open cylinder could be totally obstructed with harmful cells therefore leaving an ungainly inclination in the chest territory. The body is compelled to flexibly sustenance for itself, yet in addition for the enormous tumors that obstruct and pack the framework. Despite the fact that there are a wide range of kinds of bosom malignant growth, these are the generally normal. The first is adenocarcinoma. It begins in the glandular tissues in any piece of the body. Despite the fact that that it is a regularly analyzed malignant growth the visualization can fluctuate incredibly because of when the disease is found. This records for about all bosom malignancy. Ductal carcinoma in situ (DCIS) is a noninvasive bosom disease. It begins in conduits yet doesn^ã't spread through the pipe dividers. The most ideal way to distinguish this sort of disease is by a mammogram. This may change into an obtrusive malignancy if not trapped in time. On the off chance that it changes, at that point it is called an invading ductal carcinoma (IDC). This type of intrusive malignant growth attacks the greasy tissue of the bosom. IDC attacks to different pieces of Parts of Breast Cancer :: articles papers Parts of Breast Cancer As indicated by the American Cancer Society, in the United States in 1997 alone, 180,000 individuals were determined to have a horrendous illness. Of all kinds of malignant growth bosom disease positions second and is the main disease which is lethal in ladies between ages of 15 to 54. This malignant growth is inside the best three tumors of all ladies over the age of 15. This horrendous illness is bosom malignant growth. Bosom malignant growth is a gathering of quickly developing recreating, undifferentiated cells in the territory of the bosom in a lady. The soonest organizes happen in the epithelial cells of the terminal end buds (TEB) of the bosom milk ductal framework. While the reasons for bosom malignancy are obscure, the cells in the bosom trigger a response of cell generation. These new malignancy cells structure tumors. On the off chance that malignant growth cells are dynamic or are considered malignate, the tumor develops at huge velocities, what's more, may wind up in metastasis. Metastasis is a procedure wherein cells split away from their essential tumors and is brought through the blood flexibly or through the lymph framework and migrate into different organs, along these lines spreading malignant growth all through the body whenever left untreated. For the most part, if a knot is short of what one centimeter, it is viewed as favorable, albeit each lady ought to counsel her primary care physician about any strange knocks or feeling in the chest. One indication of bosom malignancy results from ductal disease in the bosom. A once empty open cylinder could be totally stopped up with malignant cells along these lines leaving a cumbersome inclination in the chest zone. The body is compelled to gracefully sustenance for itself, yet additionally for the enormous tumors that stop up and pack the framework. In spite of the fact that there are a wide range of sorts of bosom malignant growth, these are the generally normal. The first is adenocarcinoma. It begins in the glandular tissues in any piece of the body. Despite the fact that that it is a normally analyzed disease the guess can fluctuate enormously because of when the malignant growth is found. This records for almost all bosom malignancy. Ductal carcinoma in situ (DCIS) is a noninvasive bosom malignant growth. It begins in channels however doesn^ã't spread through the conduit dividers. The most ideal way to identify this sort of malignant growth is by a mammogram. This may change into an intrusive malignancy if not trapped in time. On the off chance that it changes, at that point it is called an invading ductal carcinoma (IDC). This type of obtrusive malignancy attacks the greasy tissue of the bosom. IDC attacks to different pieces of

7 Things to Do Before Turning in Your Paper

7 Things to Do Before Turning in Your Paper (0) There are five steps to the writing processâ€" prewriting, writing, revising, editing, and publishing. After writing your paper, there are two whole steps you need to do before turning it in. That’s rightâ€"revising your essay takes just as many steps as writing it in the first place. Step 1: Revisingâ€"The Big Picture As you can see, revising is step 3, or the first thing you should do after writing your essay. Revising does not mean looking at spelling or grammar; that comes with the next step, editing. Rather, revising means looking at the paper as a whole and identifying (and correcting) to make the essay flow better. Organization Read your essay with an eye for how it’s organized. For example, does it makes sense to talk about gathering ingredients for a ham sandwich in the last paragraph before the conclusion? Not really. To identify bad organization, you have to know how you’ve organized your paper. You can organize your essay in many different ways, some of which include: Chronology (progression through time) Logic (what makes the most sense to talk about first, second, and so on) Topic (group body paragraphs so that the topic stays the same until you’re ready to move on) The decision about how to organize the paper should be made in step 1 of the writing process, during prewriting. Outlines are helpful for ensuring that you write the essay in an organized way. You may find when you revise the essay that the organization on the outline had some gaps in logic or chronology. That’s okâ€"this is the time to move paragraphs around! Making Sentences Flow A step below organization is checking for flow. Look at each individual paragraph and ensure that the sentences string together in a rhythm that can easily be followed. In other words, you want the reader to be able to move easily through the writing without having to pause to figure out what you were trying to say. An easy way to fix this problem is transition words. There are many, many words that help sentences connect to one another. Use words such as: And Also Afterward Of course Then Therefore Ultimately In other words There are tons more, but the idea is that you use these terms when you want to connect the idea of one sentence to the preceding sentence, whether it agrees or not. Example: Transition Word of Agreement I jogged to the store to catch up with my friend, who I’d spied driving down the road. Strangely enough, she didn’t turn the car off when she went inside. Example: Transition Word of Disagreement My dog sat languishing in the sun to warm up after being in the cold air conditioning. Be that as it may, I don’t like him to get too hot, so I brought him back inside. Making Quotes and Examples Flow Another way to make sure your essay flows well is to ensure that every quote, paraphrase, summary, or example is well introduced and explained. When you fail to do this, it makes the reader pause. If you tell your reader who says it, then follow the quote with an analysis of the quote and why you used it, the reader is able to keep up a good rhythm. That’s your goal. Some people call this strategy a “quotation sandwich.” You want to sandwich your quotes and paraphrases like this:   Introduction of quote/paraphrase (top bread) The quote/paraphrase itself (meat or sandwich filling) Analysis/explanation (bottom bread) This strategy will ensure that your readers are clued in to each quote and can read at a steady pace. Example: Quotation Sandwich In his article on salads, Sam Sifton of the New York Times says, “[Julia’s] recipe for simple vinaigrette may anyway change your life for the better, forever.” Vinaigrettes may be known for lacking the creaminess that traditional salad dressing has, but Sifton pushes us to give them another look. *Referenced article is linked here. Step 2: Editingâ€"The Details When you get to the fourth step of the writing process, editing, you’re in for some fine tuning. This step ensures that your writing is correct and easier to read. Basic Paper Formatting With any essay that you’re turning in for a grade, there should be some sort of format you follow. The most common formats for students are MLA format and APA format, but teachers can add their own rules. Pay attention to what is required and check for this formatting once your revising is done. Look at example pages to make sure you’ve got it right. Do you have one-inch margins? Size 12 font? Is your heading in the correct place? And so on. Checking for Slang Although some slang might be ok in essay in order for your voice to shine through, most of the time, formal writing is required. Unless your teacher tells you that slang is ok, avoid using words like “ain’t” or “man” or whatever is popular online or at school these days. Read through your essay and look for these words. You may find it helpful to have someone else read through it, or to read it out loud yourself. When you find slang words, replace them with formal terms. Grammar One of the most important things to look for when you’re editing your paper is proper grammar. While there are many grammar rules, here are a few major ones to make sure you’ve got it right: Subject-verb agreement Verb tense consistency Plural agreement Pronoun agreement It might be helpful to review grammar rules from previous years of study to ensure that you’re getting it right. You can also submit your essay to a tutor for their help in identifying incorrect grammar. Punctuation Finally, one of the most basic and important parts of an essay is ensuring punctuation is correct. This means you’re looking at commas, periods, semicolons, colons, apostrophes, dashes, quotation marks, and so on. You’re looking both for missing and incorrectly placed punctuation. Commas can be quite complex, but here’s a quick snapshot of some of the most pertinent comma rules: Comma before a coordinating conjunction Comma after an introductory phrase Comma before a quote or after it, depending on its location in the sentence Comma in a series of items Again, it might be helpful to look at basic punctuation rules before reviewing your essay. It’s also helpful to have someone else, like a tutor, look over the essay to catch mistakes you missed. During the revising and editing steps of the writing process, there certainly is a lot to do. But don’t let that overwhelm you. Take it one step at a time. Ignore comma errors while revising; then forget about organization when you’re hunting for missing periods. In the end, your polished essay will likely be well rewarded.

Student Lo An Office Of The U.s. Department - 1379 Words

STUDENT LOAN Federal Student Aid is an office of the U.S. Department of Education and is the largest provider of grants, work-study funds and of course, a student loan. You can also get a student loan from other organization like banks or private lending institutions. All three different sources have different ways of approving or granting a student loan. One common requirement is, a person should be enrolled in school. These apply to both undergraduate and graduate students. Before deciding whether to get a loan or not, according to Federal Student Aid’s â€Å"Responsible Borrowing†, here are few things to consider. First, make sure that your school is the right fit for you, both educationally and financially. Second, the location of your school of choice because the amount of money you need to borrow will have a great impact on where your school is located. In-state schools or community colleges may cost less than out-of-state schools. Third, get an idea of your future income of h ow much money you can possibly make. Starting salaries can vary differently depending on your career path. Make sure that this will only take a small portion of your salary in the future, so you can still enjoy the success of your endeavors. And remember, this is still a loan that you will have to repay in the future; in other words, plan accordingly. Even though there is a grant, scholarship or work-study available for students, these will not cover all of the college costs. May it be a university orShow MoreRelatedIntroduction to the Los Angeles Unified School Districts645 Words   |  3 Pagesï » ¿Introduction to the Los Angeles Unified School Districts As the contemporaneous society becomes a less safe place due to events such as natural calamities or man made disasters (e.g. shootings), the schools must adapt and become better able to manage crises situations. 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You probably read this and think â€Å"That’s impossible, the police won’t allow it† but on September 26, a drug gang just did what you thought was impossible. The drug gang allegedly abducted and killed 43 students in Mexico’s Southern Guerrero State. This picture makes me think of injustice. I feel this way because I close my eyes and imagine me being right there, in that square with the photographer. It makes me feel injustice because I see tons of picturesRead MoreEssay on SHELTER FROM THE STORM1555 Words   |  7 Pagesto police because they feared reprisal from the offender(Bachman, p.1). In the Greater Tucson area approximately 16,000 charges are filed each year, at least half of which result in in-custody arrests. A statistics report from the Tucson Police Department for the twelve month period of March 1998 to February 1999 shows that only 384 phone calls were received on sexual assault. 1209 calls were received reporting offenses against family-child. 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The Conflicts Between Siblings - 1762 Words

English 102 10/29/2012 The Conflicts between Siblings In the story â€Å"Sonny’s blues†, the Sonny’s brother is the narrator and main character; his name is never mentioned throughout the story. He and Sonny are the two brothers with a big difference of their ages. They don’t spend too much time with each other since they grow up. They have different world. The narrator is a high school algebra teacher and family man. Sunny is through his brother’s eyes, as a quiet, introspective person with a tendency to withdraw inside himself. Sonny is also described by the narrator as wild, but not crazy. He takes drugs which led him to jail. He wants to be a musician because of his passion for jazz. The narrator wishes his brother to have a regular and†¦show more content†¦In both stories, the older siblings burden responsibility to the youngers. Sonny’s brother thinks he has responsibility because of the promise to her mother. He tries to talk to Sonny about the life style and career choices. He a sks Sonny what he wants to do, and Sonny replies that he wants to be a jazz musician and play the piano. The narrator does not understand this dream and doesn’t think it is good enough for Sonny. They also try to figure out his living arrangement for the remainder of his high school career. The subject leads to an argument. Sonny calls his brother ignorant because the narrator doesn’t know who Charlie Parker is. Sonny argues that he does not want to finish high school or live at Isabel’s parents house. However, they find a compromise. Isabel’s parents have a piano, which Sonny can play whenever he wants, provided he goes to school. Sonny agrees with the idea. He stays at Isabel’s house and goes to school sometimes. When he gets home, he constantly plays the piano. He goes to Greenwich Village, and hanging with his jazz friends who are most likely doing drugs. Once Isabel’s parents find this out, Sonny leaves their house, drops out of school, and joins the navy. 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Middle childhood is an area of extreme sibling conflict due all the hormonal changes that children go throughRead MoreThe Controversial Effects Of Siblings On Children Essay1490 Words   |  6 PagesThis essay is going to focus on the controversial effects of siblings on children, and whether th is is positive or negative, and also whether those who grow up in an only child family environment do better than those with siblings or if there is no significant effect of having one or more children and how successful they will be. The relationship between siblings has not always been the main focus of research on child development only recently has it been taken such great interest into, psychologistsRead MoreRelationships Between Siblings And Siblings1286 Words   |  6 PagesSiblings have one of the strongest bonds when it comes to relationships. Sibling can argue one day but the next day they will be back to being friends. The sibling bond can last for ages. 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Cardiovascular Disease Risk Factors Free Essays

Cardiovascular Disease Risk Factors Although the term cardiovascular disease refers to a disorder of the cardiovascular system, it is usually associated with atherosclerosis, also known as arterial disease. It is considered the leading cause of deaths in the world, taking 17. 1 million lives a year. We will write a custom essay sample on Cardiovascular Disease Risk Factors or any similar topic only for you Order Now There are only a few factors that are non-modifiable, these being the persons age, gender, family history and their race and ethnicity. Although there are non-modifiable risk factors, there are multiple multiple risk factors that are modifiable that anyone can use to prevent getting any type of cardiovascular disease. These people just need to have the motivation to be able to change themselves and their lifestyles in order to better themselves and their cardiovascular system all together. There are four non-modifiable risk factors when it comes to cardiovascular diseases. The first being age. Simply getting old is a high risk factor of cardiovascular disease, the risk or heart diseases increase every decade after the age of 55. A persons gender is also important; a man has a greater chance of getting a heart disease than a pre-menopausal woman. Once past menopause though, a woman’s risk is just as high as a man’s. Another risk factor is a persons family history. Once a person knows that their family history has some type of heart disease in it, it indicates that their risks are higher. If a first-degree blood relative has had a coronary heart disease or stroke before the age of 55 years old for a male relative, or 65 years old for a female relative, the persons risks increases. The last non-modifiable risk factor is a persons race and ethnicity. It plays a role because it has been proven that people with African or Asian ethnicity are at higher risk of developing cardiovascular diseases than any other racial group. There are a lot more modifiable risks than non-modifiable risks for cardiovascular diseases. The first being hypertension, which is also known as high blood pressure. This is known as the single biggest risk factor for stroke. It also plays a major role in heart attacks, but can be prevented and treated , only if the person has it diagnosed and stick to their suggested plan. Tobacco use also increases the risk of cardiovascular diseases, whether it being smoking or chewing tobacco. The risk is particularly higher if the person started smoking at a young age, smokes heavily and/or if the person is a woman. No matter how long that person has been smoking for, stopping can make a major difference when it comes to cardiovascular diseases. Physical inactivity is also a modifiable risk factor, obesity is a big problem in many countries and it increases the risk of heart diseases by 50%. Obesity also leads people to diabetes, which is also a risk. 1% or coronary heart diseases and 11% of the strokes worldwide are due to a high diet in fats, this is a big deal in certain countries because high diets in fats are seen everywhere. Another factor is being poor. It is normal that low income will make people’s lives lean towards a stressful one, one where there is social anxiety, isolation and depression, which are all reasons why a person can get cardiovascula r diseases. When someone abuses alcohol, drinking more than two drinks a day, it increases their risks as well. There are a few other modifiable risk factors, such as taking certain medications. The only behavior that is detrimental to my cardiovascular health that I would be unwilling to change would be smoking. The reason for this is because I had tried to stop smoking before and I realized that I started gaining weight. Once I realized this I started smoking again, only because I did not want to keep gaining the weight I was gaining when I wasn’t smoking. After I started smoking again I realized that if I would become hungry and I would have a cigarette, I would no longer be hungry, which would stop me from eating for a lot longer. The areas in my lifestyle that I could change or improve that would promote my heart health would first of all be my lack of physical activity. I’ve been wanting to start working out for a while now but never got to it. The first time I went to the gym, my body was so soar the next day that I no longer wanted to do it, but I know that soon I will have to suck it up and start going to the gym, and maybe at the time I will stop smoking because I would realize that I am getting much healthier. Another area would be the alcohol abuse. People at my age love to drink, it is something that we do on the regular because we always seem to have something to celebrate. And when we feel like having one beer, it always ends up being more then that, but that is something that I am willing to change and would love to change in return for better health. All of these would affect my heart health because they are all modifiable cardiovascular disease risks. They would make me a healthier and happier person in general because I will know that my body has changed for the better. I am planning on making these changes in the future because I know myself that I need to do this to be a much healthier person, because I know that day by day I am getting less healthy. I want to see myself as a healthy person and really believe that I am that way, and know that I am the person who did that, I was motivated enough to change myself for the better. I realized that I need to stop making excuses and I need to take action in order to become healthier and to make my risks even lower. How to cite Cardiovascular Disease Risk Factors, Papers

Agatha Christie A Study on Gender and Racial Roles Essay Example For Students

Agatha Christie: A Study on Gender and Racial Roles Essay Dame Agatha Mary Clarissa Christie, DBE was an English crime writer of novels, short stories, and plays. She also wrote six romances under the name Mary Westmacott, but she is best remembered for the 66 detective novels and 14 short story collections she wrote under her own name, most of which revolve around the investigations of such characters as Hercule Poirot, Miss Jane Marple and Tommy and Tuppence. She also wrote the worlds longest-running play, The Mousetrap. Born to a wealthy upper-middle-class family in Torquay, Devon, Christie served in a hospital during the First World War, before marrying and starting a family in London. Although initially unsuccessful at getting her work published, in 1920, The Bodley Head press published her novel The Mysterious Affair at Styles, featuring the character of Poirot. This launched her literary career. According to the Guinness Book of World Records, Christie is the best-selling novelist of all time. Her novels have sold roughly 4 billion copies, and her estate claims that her works rank third, after those of William Shakespeare and the Bible, as the worlds most-widely published books. According to Index Translationum, Christie is the most-translated individual author, nd her books have been translated into at least 103 languages. And Then There Were None is Christies best-selling novel with 100 million sales to date, making it the worlds best-selling mystery ever, and one of the best-selling books of all time. In 1971, she was made a Dame by Queen Elizabeth II at Buckingham Palace. Christies stage play The Mousetrap holds the record for the longest initial run: it opened at the Ambassadors Theatre in London on 25 November 1952 and as of 2012 is still running after more than 25,000 performances. In 1955, Christie was the first recipient of the Mystery Writers of Americas highest honour, the Grand Master Award, and in the same year Witness for the Prosecution was given an Edgar Award by the MWA for Best Play. Many of her books and short stories have been filmed, and many have been adapted for television, radio, video games and comics. Life and career Childhood: 1890-1910 Agatha Mary Clarissa Christie was born on 15 September 1890 into a wealthy upper middle-class family in Ashfield, Torquay, Devon in South West England. Christies mother, Clara Boehmer was an Englishwoman who had been born in Belfast, modern-day Northern Ireland, in 1854 to Captain Frederick Boehmer and Mary Ann West; the couples only daughter, she had four brothers, one of whom died young. Captain Boehmer was killed in a riding accident while stationed on Jersey in April 1863, leaving Mary Ann to raise her children alone on a meagre income. Under financial strain, she sent Clara to live with her aunt Margaret Miller n? ©e West, who had married a wealthy American Nathaniel Frary Miller in 1863 and lived in Prinsted, West Sussex. Clara stayed with Margaret, and there she would meet her future husband, an American stockbroker named Frederick Alvah Miller, who was the son of Nathaniel. Frederick was a member of the small and wealthy American upper class, and had been sent to Europe to gain an education in Switzerland. Considered relationship with Clara, and they were married in April 1878. Their first child, Margaret Madge Frary Miller was born in Torquay, where the couple were renting lodgings, while their second, Louis Monty Montant was born in the U. S. state of New York, where Frederick was on a business trip. Clara soon purchased a villa in Torquay, named Ashfield, in which to raise her family, and it was here that her third and final child, Agatha, was born. Christie would describe her childhood as very happy, and was surrounded by a series of strong and independent women from an early age. Her time was spent alternating between her Devonshire home, her step grandmother/aunts house in Ealing, West London and parts of Southern Europe, where her family would holiday during the winter. Nominally Christian, she was also raised in a household with various esoteric beliefs, and like her siblings believed that their mother Clara was a psychic with the ability of second sight. Her mother insisted that she receive a home education, and so her parents were responsible for teaching er to read and write, and to be able to perform basic arithmetic, a subject that she particularly enjoyed. They also taught her about music, and she learned to play both the piano and the mandolin. A voracious reader from an early age, among her earliest memories were those of reading the childrens books written by Mrs Molesworth, including The Adventures of Herr Baby, Christmas Tree Land and The Magic Nuts . She also read the work of Edith Nesbit, including The Story of the Treasure Seekers, The Phoenix and the Carpet and The Railway Children . When a little older she moved on to reading the surreal verse of Edward Lear and Lewis Carroll. Much of her childhood was spent largely alone and separate from other children, although she spent much time with her pets, whom she adored. Eventually making friends with a group of other girls in Torquay, she noted that one of the highlights of my existence was her appearance with them in a youth production of Gilbert and Sullivans The Yeomen of the Guard, in which she played the hero, Colonel Fairfax. This was to be her last operatic role, for as she later wrote, an experience that you really enjoyed should never be repeated. Her father was often ill, suffering from a series of heart attacks, and in November 1901 he died, aged 55. His death left the family devastated, and in an uncertain economic situation. Clara and Agatha continued to live together in their Torquay home; Madge had moved to the nearby Cheadle Hall with her new husband and Monty had Joined the army and been sent to South Africa to fght in the Boer War. Agatha would later claim that her fathers death, occurring whe n she was 11 years old, marked the end of her childhood for her. In 1902, Agatha would be sent to receive a formal education at Miss Guyers Girls School in Torquay, but found it difficult to adjust to the disciplined atmosphere. In 1905 she was then sent to the city of Paris, France, where she was educated in three pensions Mademoiselle Cabernets, Les Marroniers and then Miss Drydens the latter of which served primarily as a finishing school. Early literary attempts and the First World War: 1910-1919 Returning to England in 1910, Agatha found her mother Clara ill. They holidayed in the warmer climate of Cairo in Egypt, then a popular tourist destination for wealthy Britons. Staying for three months at the Gezirah Palace Hotel, Agatha always chaperoned by her mother attended many social functions in search of a husband. Although visiting such reat interest in archaeology and Egyptology prominent in her later years. Returning to Britain, she continued her social activities in search of a husband. Writing and performing in amateur theatrics, she helped put on a play called The Blue Beard of Unhappiness with female friends. Her writing extended to both poetry and music. Some early works saw publication, but she decided against focusing on either of these as future professions. While recovering in bed from illness, she penned her first short story The House of Beauty, about 6000 words on the world of madness and dreams, a subject of fascination. Later biographer Janet Morgan commented that despite infelicities of style, the story was nevertheless compelling. Other shorts followed, most illustrated her interest in spiritualism and the paranormal, including The Call of Wings and The Little Lonely God. Under pseudonyms, various magazines rejected all her early submissions, although revised and published later, some under new titles. Christie then set her first novel, Snow Upon the Desert, in Cairo, and drew from her recent experiences in the city. Under the pseudonym Monosyllaba, she was perturbed when various publishers all declined. Clara suggested that her daughter ask for advice from a family friend and neighbor, the successful writer Eden Philpotts. Philpotts obliged her enquiry, encouraged her writing, and sent her an introduction to his literary agent, Hughes Massie. However, he too rejected Snow Upon the Desert, and suggested a second novel. Meanwhile, Christie continued searching for a husband, and had entered into short-lived relationships with four separate men, one engagement, before meeting Archibald Archie Christie at a dance given by Lord and Lady Clifford of Chudleigh, about from Torquay. Archie had been born in India, the son of a Judge in the Indian Civil Service. In England he Joined the air service, stationed at Devon in 1912. The couple quickly fell in love. Upon learning he would be stationed in Farnborough, Archie proposed marriage, and she accepted. 914 saw the outbreak of World War I, and Archie was sent to France to battle the German forces. Agatha also involved herself in the war effort, Joining the Voluntary Aid Detachment and attending to wounded soldiers at the hospital in Torquay. In this position, she was responsible for aiding the doctors nd maintaining morale, performing 3,400 hours of unpaid work between October 1914 a nd December 1916. As a dispenser, she finally earned E16 yearly until the end of her service in September 1918. She met her fianc? © Archie, in London during his leave at the end of 1914, and they married on the afternoon of Christmas Eve. They met throughout the war every time that he was posted home. Rising through the ranks, he was eventually stationed back to Britain in September 1918 as a colonel in the Air Ministry. They settled into a flat at 5 Northwick Terrace in St. Johns Wood, Northwest London. First novels: 1919-1923 Christie had long been a fan of detective novels, having enjoyed Wilkie Collins The Woman in White and The Moonstone as well as Sir Arthur Conan Doyles early Sherlock Holmes stories. She wrote her own detective novel The Mysterious Affair at Styles, featuring Hercule Poirot. A former Belgian police officer noted for his twirly large magnificent moustaches and egg-shaped head, he was a refugee to Britain after Germany invaded Belgium, inspired by real Belgian refugees in Torquay. The Styles manuscript was not accepted by such publishing companies as Hodder and months, then accepted if she would change the ending. She duly did so, and signed a contract she later felt was exploitative. Christie meanwhile settled into married life, giving birth to daughter Rosalind at Ashfield in August 1919, where the couple having few friends in London spent much of their time. Having left the Air Force at the end of the war, Archie started in the City financial sector at a relatively low salary, though they still employed a maid. Christies second novel, The Secret Adversary, featured new detective couple Tommy and Tuppence. Again published by The Bodley Head, it earned her E50. A third novel again featured Poirot, Murder on the Links, as id short stories commissioned by Bruce Ingram, editor of Sketch magazine. In order to tour the world promoting the British Empire Exhibition, the couple left their daughter Rosalind with Agathas mother and sister. The Speckled Band Essay ThesisThere are also numerous instances where the killer is not brought to Justice in the legal sense but nstead dies, for example Death Comes as the End, And Then There Were None, Death on the Nile, Dumb Witness, The Murder of Roger Ackroyd, Crooked House, Appointment with Death, The Hollow, Nemesis, Cat Among the Pigeons, and The Secret Adversary. In some cases, this is with the collusion of the detective involved. In some stories, the question of whether formal Justice will be done is left unresolved, such as Five Little Pigs and Ordeal by Innocence. Christie often made the unlikeliest character guilty. This happened so often that it became a clich? ©; savvy readers could dentify the murderer by simply identifying the least likely suspect. On an edition of Desert Island Discs in 2007, Brian Aldiss claimed that Agatha Christie told him that she wrote her books up to the last chapter, then decided who the most unlikely suspect was, after which she would then go back and make the necessary changes to frame that person. John Currans Agatha Christie: The Secret Notebooks describes different working methods for every book in her autobiography, thus contradicting this claim. The first Hercule Poirot began with tram passengers and Belgian refugees. Man in the Brown Suit started with Belcher from the world tour. Murder on the Links began with news from France, a wife debunked, who claimed intruders tied her up and murdered her husband. The Murder of Roger Ackroyd killer was suggested by brother-in-law James Watt. The Big Four, helped by Archies brother Cambell, was a stop-gap collection of Sketch magazine stories, for money when her husband left. Critical reception The worlds best-selling mystery writer, and often referred to as the Queen of Crime, Agatha Christie is considered a master of suspense, plotting, and characterisation. Some critics however regarded Christies plotting abilities as considerably exceeding her literary ones. The novelist Raymond Chandler criticised her in his essay, The Simple Art of Murder, and the American literary critic Edmund Wilson was dismissive of Christie and the detective fiction genre generally in his New Yorker essay, Who Cares Who Killed Roger Ackroyd? . Stereotyping Christie occasionally inserted stereotyped descriptions of characters into her work, particularly before the end of the Second World War, and particularly in regard to Italians, Jews, and non-Europeans. For example, in the first editions of the collection The Mysterious Mr Quin, in the short story The Soul of the Croupier, she described Hebraic men with hook-noses wearing rather flamboyant Jewellery; in later editions the pas sage was edited to describe sallow men wearing same. In The Hollow, published as late as 1946, one of the more unsympathetic characters is a Whitechapel Jewess with dyed hair and a voice like a corncrake a small woman with a thick nose, henna red and a disagreeable voice. To contrast with the more stereotyped descriptions, Christie sometimes characterised the foreigners in such a rue of her Jewish characters, who while seen as unEnglish are seldom actually criminals. Often she is lovingly affectionate or teasing with her prejudices. After four years of war-torn London, Christie hoped to return some day to Syria, which she described as gentle fertile country and its simple people, who know how to laugh and how to enjoy life; who are idle and gay, and who have dignity, good manners, and a great sense of humour, and to whom death is not terrible. After trouble with an incompetent Swiss French nursery helper Marcelle for toddler Rosalind, she decides Scottish preferred good with the young. The French were hopeless disciplinarians Germans good and methodical, but it was not German that I really wanted Rosalind to learn. The Irish were gay but made trouble in the house; the English were of all kinds She proposes this, after the fact, knowing the chosen Charlotte lasts decades. Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail. Archaeology Christie had always had an interest in archaeology. On a trip to the excavation site at Ur in 1930, she met her future husband, Sir Max Mallowan, a distinguished archaeologist, but her fame as an author far surpassed his fame in archaeology. Prior to meeting Mallowan, Christie had not had any extensive brushes with archaeology, but once the two married they made sure to only go to sites where they could work together. While accompanying Mallowan on countless archaeological trips, Christie not only wrote novels and short stories, but also contributed work to the archaeological sites, more specifically to the archaeological restoration and labeling of ancient exhibits which includes tasks such as cleaning nd conserving delicate ivory pieces, reconstructing pottery, developing photos from early excavations which later led to taking photographs of the site and its findings, and taking field notes. So as to not influence the funding of the archaeological excavations, Christie would always pay for her own board and lodging and her travel expenses, and supported excavations as an anonymous sponsor. After the Second World War, she chronicled her time in Syria with fondness in Come Tell Me How You Live. Anecdotes, memories, funny episodes, are strung in a rough timeline, with ore emphasis on eccentric characters, lovely scenery, than factual accuracy. From 8 November 2001 to 24 March 2002, The British Museum had an exhibit named Agatha Christie and Archaeology: Mystery in Mesopotamia, which presented the secret life of Agatha Christie and the influences of archaeology in her life and works. Archaeological influences in her writing Many of the settings for Agatha Christies books were directly inspired by the many archaeological field seasons spent in the Middle East on the sites managed by her second husband Max Mallowan. Her time spent at the many locations featured in her ooks is very apparent by the extreme detail in which she describes them. One such site featured in her books is the temple site of Abu Simbel in Death on the Nile, as well as the great detail in which she describes life at the dig site in Murder in Mesopotamia. Characters Of the characters in her books, Christie has often showcased the archaeologist and experts in Middle Eastern cultures and artifacts. Most notably are the characters of many minor characters in They Came to Baghdad were archaeologists. More indirectly, Christies famous character of Hercule Poirot can be compared to an rchaeologist in his detailed scrutiny of all facts both large and small. Cornelius Holtorf, an academic archaeologist, describes an archaeologist as a detective as one of the key themes of archaeology in popular culture. He describes an archaeologist as a professional detective of the past who has the ability to reveal secrets for the greater of society. Holtorfs description of the archaeologist as a detective is very similar to Christies Poirot who is hugely observant and is very careful to look at the small details as they often impart the most information. Many of Christies detective haracters show some archaeological traits through their careful attention to clues and artifacts alike. Miss Marple, another of Christies most-famous characters, shares these characteristics of careful deduction though the attention paid to the small clues. Spirituality Christies life within the archaeological world not only shaped her settings and characters for her books but also in the issues she highlights. One of the stronger influences is her love of the mystical and mysterious. Many of Christies books and short stories both set in the Middle East and back in England have a decidedly therworldly influence in which religious sects, sacrifices, ceremony, and seances play a part. Such stories include The Hound of Death and the Idol House of Astarte. This theme was greatly strengthened by Christies time spent in the Middle East where she was consistently surrounded by the religious temples and spiritual history of the towns and cities they were excavating in Mallowans archaeological work. Travel as adventure During Christie and Mallowans time in the Middle East, along with their time spent among the many tombs, temples, and museums, there was also a large amount of time spent traveling to and from Mallowans sites. The travelling involved in the archaeology had a large influence on Christies writing, which is often reflected as some type of transportation playing a part in her murderers schemes. The large amount of travel done by Christie and Mallowan has not only made for a great writing theme, as shown in her famous novel The Murder on the Orient Express, but also tied into the idea of archaeology as an adventure that has become so important in todays popular culture as described by Cornelius Holtorf in his book Archaeology is a Brand. Popular novels with heavy archaeological influences Murder in Mesopotamia Appointment with Death Death on the Nile They Came to Baghdad Portrayals of Christie Christie has been portrayed on a number of occasions in film and television. Several biographical programs have been made, such as the 2004 BBC television programme Williams, Anna Massey, and Bonnie Wright. Christie has also been portrayed fictionally. Some of these have explored and offered accounts of Christies disappearance in 1926, including the 1979 film Agatha and the Doctor Who episode The Unicorn and the Wasp . Others, such as 1980 Hungarian film, Kojak Budapesten create their own scenarios involving Christies criminal skill. In the 1986 TV play, Murder by the Book, Christie herself murdered one of her fictional-turned-real characters, Poirot. The heroine of Liar-softs 2008 visual novel Shikkoku no Sharnoth: What a Beautiful Tomorrow, Mary Clarissa Christie, is based on the real-life Christie. Christie features as a character in Gaylord Larsens Dorothy and Agatha and The London Blitz Murders by Max Allan Collins. Christies works Adaptations Film Television 1937 spiders web 1938 Love from a Stranger 1947 Love from a Stranger 1949 Ten Little Indians 1959 Ten Little Indians 1970 The Murder at the Vicarage 1980 Why Didnt They Ask Evans? 82 spiders web 1982 The Seven Dials Mystery 1982 The Agatha Christie Hour 1982 Murder Is Easy 1982 The Witness for the Prosecution 1983 The Secret Adversary 1983 Partners in Crime 1983 A Caribbean Mystery 1983 Sparkling Cyanide 1984 The Body in the Library 1985 Murder with Mirrors 1985 The Moving Finger 1985 A Murder is Announced 1985 A pocket Full of Rye 1985 Thirteen at Dinn er 1986 Dead Marls Folly 1986 Murder in Three Acts 1986 The Murder at the Vicarage 1987 Sleeping Murder 1987 At Bertrams Hotel 1987 Nemesis 1987 4. 50 from Paddington 1989 The Man in the Brown Suit 1989 A Caribbean Mystery

Aldebaran, the Fiery Orange-Red Eye of a Starry Bull

Aldebaran, the Fiery Orange-Red Eye of a Starry Bull Behind every star in the sky is a fascinating origin tale. Just as the Sun does, they shine by burning fuel in their cores and giving off light. And, like the Sun, many have their planets. All were born in a cloud of gas and dust millions or billions of years ago. And, eventually, all stars grow old and evolve. Thats whats happening to Aldebaran, a star that is practically a neighbor to our own star, the Sun, at 65 light-years distance. Youve probably seen Aldebaran in the constellation Taurus (which is visible to us at night from about October through March each year). Its the reddish-orange star at the top of the V-shaped face of the Bull. Observers in ancient times saw it as many things. The name Aldebaran is from the Arabic word for follower, and it does seem to follow along as the Pleiades star cluster rises higher in the sky late in the year. For the Greeks and Romans it was the eye or the heart of the bull. In India, it represented an astronomical house, and portrayed it a deitys daughter. Others around the world have associated it with the season to come, or even as an aid to the Pleiades (who, in some cultures, were seven women in the sky).   Observing Aldebaran The star itself is fairly easy to spot, particularly beginning in the evening skies of October each year. It also presents a remarkable  experience for skygazers patient enough to wait for it: an occultation. Aldebaran lies close to the ecliptic, which is the imaginary line along which the planets and Moon appear to move as seen from Earth. Occasionally, the Moon will slide between Earth and Aldebaran, essentially occulting it. The event is visible from northern hemisphere locations in the early autumn. Observers with a keen interest in watching it happen  through a telescope can see a detailed   view of the lunar surface  as the star slips slowly behind the Moon and then reappear a short time later. Why Is it in a Vee of Stars? Aldebaran looks like its part of a cluster of stars called the Hyades. This is a V-shaped moving association of stars that lies much farther away from us than Aldebaran does, at a distance of about 153 light-years. Aldebaran happens to lie in the line of sight between Earth and the cluster, so it appears to be part of the cluster. The Hyades themselves are fairly young stars, about 600 million years old. Theyre moving together through the galaxy and in a billion years or so, the stars will have evolved and grown older and scattered apart from each other. Aldebaran will have moved from its position, too, so future observers will no longer see an angry red eye at the top of a vee-shaped swarm of stars. What is Aldebarans Status? Technically speaking Aldebaran is a star that has stopped fusing hydrogen in its core (all stars do this at some point in their lives)  and is now fusing it in a shell of plasma surrounding the core. The core itself is made of helium and collapsed in on itself, sending the temperature and pressure soaring. That heats up the outer layers, causing them to swell. Aldebaran has puffed out so much that its now nearly 45 times the size of the Sun, and is now a red giant. It varies slightly in its brightness, and is slowly blowing its mass out to space. Aldebarans Future In the very distant future, Aldebaran may experience something called a helium flash in its future. This will happen if the core (which is made of helium atoms) gets so densely packed that helium starts trying to fuse to make carbon. The temperature of the core has to be at least 100,000,000 degrees before this will happen, and when it gets that hot, almost all the helium will fuse at once, in a flash. After that, Aldebaran will start to cool and shrink, losing its red giant status. The outer layers of the atmosphere will puff away, forming a glowing cloud of gas that astronomers refer to as a planetary nebula. This wont happen any time soon, but when it does, Aldebaran will, for a short time, glow even more brightly than it does now. Then, it will dim down, and fade slowly away.

Welcome Home essays

Welcome Home essays Nikki Yolande Giovanni is one of Americas most recent poets who gained fame as a writer during the 1060s. Nikki Giovanni, better known as the poet of the people wrote in hopes of influencing the Civil Rights Movement and the womens movement. Later on in her writing career, her areas of writing spread to politics and childrens books, allowing a greater audience to relate to what she had to say. Her African-American heritage has greatly influenced her writing, leading her to be one of the most widely read poets of today. She was not an author who wrote to entertain, but rather an author who wanted her voice to be heard. Before Nikkis birth, Nikkis family had to flee their home in Albany, Georgia to Knoxville, Tennessee in order to flee persecution by whites because of something her grandmother had said. She went to school in a segregated school for girls. Nikki played small roles in the Civil Rights Movement by doing small things as marching with other blacks to protest a recent hate crime. In reading Nikki Giovanni's, Love Poems, I felt that she has been tricked or mistreated with men in her lifetime. But on the other hand, I believe she was also in love. Her poems inspire young people to watch who they are dating and what could happen while being with someone special. Giovanni talks about things that could lead up to sexual intercourse, also. However, men in her life may have cheated and lied to her. In addition, maybe she was deeply in love with a man that just did not treat her like a woman. In one way or another, Giovanni is smart, straight to the point and has emotionally candid poems. But she turns somber and reflective as she expresses the love at a daughter and mother, and how a woman's deep down love for a man that far outlasts the giddy romp of romance. Donna Seaman from Booklist states, "Giovanni is one of ...

Obama healthcare plan Research Paper Example | Topics and Well Written Essays - 750 words

Obama healthcare plan - Research Paper Example The Obama health care plan is a health care reform in the US and is known as one of the major achievements of President Obama. Obamacare has aided millions of Americans to afford a better quality health insurance, helped reform the health insurance industry and has widened the horizons of American health care rights. It is also an objective of the bill to reduce wasteful spending all over the country in health care department. The bill has been signed as the health care law aiming to improve the entire health care system of the United States by expanding coverage to more Americans as well as protecting the existing insurance policy holders of America. Obama Administration claims that a huge population of America will be benefitted by this new plan in various ways. According to the administration, insurance companies will not be able to cancel coverage if people get sick, all out of pocket costs shall be covered for proven preventive and screening services such as mammograms and other preventive tests. The plan is to diagnose chronic and potentially serious diseases as early as possible in order to make further treatments more effective. As a result of this 2010 legislation people with jobs but no health insurance as well as those with preexisting medical conditions will find it easier to gain reliable health care coverage. The government aspires to increase the number of people having access to obamacare services. The Acts within the plan aims to help small scale businesses to get health insurance for their employees. The US governments claims that the Act should â€Å"help increase the number of primary care physicians, nurses, physician assistants and other health care professionals† Back in 1920’s there wasn’t much knowledge about medicine and insurance which ensured low costs of the medical facilities. However as the doctors knowledge grew about diseases and treatments they began to charge more. With the rise in costs it the

Discussion Article Example | Topics and Well Written Essays - 250 words - 4

Discussion - Article Example This is evident in the passage as it is confirmed by this statement â€Å"thus, intersubjectivity emerges as part of a larger problem (141).† It is a reality that subject reacts with other subjects without mediation of material elements such as body or sense media. This concept is implicit in the notion of ‘intersubjectivity’. Recognition that the person uses the materials of culture and is impacted by other people does nothing to impose on the reality that such a notion is essentially individualist (Williams, 1992). Hegel does not believe that every person has to involve in a life and death fight for recognition. This is evident as gave a suggested a different concept in substitute of a ‘formation of consciousness’, he proposed an individual level and a communal social-cultural world-chronological level.’ This can be analyzed as an attempt to prevent people from seeking recognition to much. The concept of consciousness is brought in the passage, however, not as self-consciousness but people living in self-sufficient communities. Undeniably, consciousness remains a prerequisite for recognitive self-consciousness. Hegel regards material culture as products of contemplation, and never spent bothered to understand the interrelationship between materials. While he discarded the labor procedure as a pattern of the dialectic he did not discard apprehension with the creation and use of material civilization, but changed it into a logical stature. Thus, when the promoters of ‘intersubjectivity’ expunge the usage of artifacts from unrestrained action, they ignore Spirit itself. Williams asserts that Hegel changed subjectivity to intersubjectivity. However, ‘intersubjectivity’ is incomprehensible and incoherent with core fundamentals of Hegel’s perception of subjectivity (Williams, 1992). It is accurate to conclude that recognition is an extremely un-Hegelian concept since it assumes the nonexistence of effective mediating media and artifacts. It

Art Museums: Issues in Profits, Acquisition and Ethics

Art Museums: Issues in Profits, Acquisition and Ethics Acquisition, Ethics, and Profit in the Art World What happens in the art world affects all parts of it, from the most well endowed museum to the myriad lesser-known and unknown galleries that try to eke out a living. This paper will examine the ways in which museums have weathered the vagaries of the market over the past few decades, including not-for-profit institutions as well as the for-profit sector, including the gray area in which the two—rarely—meet. The unifying factor, as this paper will show, is the reputation of the institution. The reputation of any building that houses works of art is a priceless commodity, whether it is a huge institution of international reputation, or a small but well-respected gallery with equally high standards of decorum and ethics. To maintain that reputation at all costs is of vital importance if an institution is to survive and remain a respected part of the art community. Ethics, Profit and Culture in Museums The role of museums in contemporary society has changed in the last several decades; still considered essential to society as both reflection and mirror, museums have found themselves floundering for financial support as never before. To continue to thrive—often just to survive—they have had to adapt to meet the new demands of a multicultural world, while at the same time maintaining their respected status. Traditionally seen as temples for the muses, todays museums are being challenged to be ethical for society and to build their reputation (Wood Rentschler, 2003). Traditionally, museums throughout the Western world have supported themselves in a variety of ways, most of which are dependent on cultural travel and funding sources. Admission receipts and gift-shop sales form part of their income. Donations from the government and from private and other funding sources supplement that. In recent years, however, cultural tourism rates have dropped, and additional funding from government and private sources has dwindled, leaving budgetary needs unmet. To stay afloat, museums have had to adapt and change with the times. They have done, and continue to do this, in a number of ways. Among these ways, unfortunately, have been activities that have raised eyebrows in the art world, and questions about acquisition, ethics, and profit have come to the fore. Importance of Reputation As institutions which house the priceless treasures and artifacts of our cultural pasts, museums are generally held in high regard. Among smaller galleries, there is also a hierarchy, primarily based on integrity and fair dealings with artists and with each other. For the larger institutions, though, in order to maintain this regard, they are expected to adhere to a higher standard. This expectation is so deeply ingrained that it seems at times a given: museums are considered bastions of artistic culture and historical identity. They are institutions which foster intellectual growth and which exercise discriminating taste and ethical behavior in building and maintaining their collections. Regardless of the exhibition or programme concepts, notes Edson, there are qualities and initiatives that are fundamental to museums, such as intellectual honesty, promotion of critical thinking, enhancement of open-mindedness and the sensitizing of visitors to the commonwealth of humankind (2001: p. 43). This is a tall order to uphold—and one which is under constant scrutiny. What happens when these hallowed institutions fall upon financial hardship? They adapt. The ways in which they adapt may change our preconceived notions of what a museum should be. For example, the concept of blockbuster exhibits in the eighties was considered unacceptable to some. This blatant advertising to sell art—in essence, sell culture, seemed a betrayal of the highest standards, a mockery of itself. It forced many to reconfigure commonly held notions about the institutions themselves. In his memoirs, art critic Richard Feigen echoes what many felt at the time: As museums began to commercialize, to adapt to 1970s inflation, exhibitions also veered away from an emphasis on scholarship toward a preoccupation with box office (2000: 137). The very words box office, in such close proximity to scholarship and museums, would have seemed quite jarring at the time. Yet, since then, we have grown more accustomed—albeit gradually—to the concept of art-for-profit. After all, someone has got to pay for the acquisitions and maintenance of cultural artifacts. If the funding is not forthcoming, museums have had to choose whether to close up their doors and die out like an obsolete breed, or to reinvent themselves in ways they deem acceptable. Having for the most part chosen the latter, museums have had to become more aggressive in pursuit of the funds necessary to at least survive, and hopefully to flourish. This has necessarily caused their patrons to reassess and re-evaluate as well. Just as museum definitions have changed, so too has our understanding of museum ethics explain Wood and Rentschler (2003). It has also forced us to understand the roles of the individuals who run these institutions, as Feigen concedes: In this new era of museology, he writes, a directors success has come to be measured by the crowds he attracts, the funds he raises, the buildings he builds, and how effectively he can dodge political cross fire (2000: 109). A major issue which has sprung from this process of adaptation is the need to maintain an impeccable reputation in the process. The last few decades have been a period of just that, as the concept of the museum—and the actual institutions themselves—have evolved to meet the needs of the people they serve: the patrons. Todays museums are called upon to offer an enhanced experience in an appropriately comfortable environment, one that instills a sense of cultural pride as well as challenge. In so doing, Edson writes: The museum by facilitating that experience serves the individual and the host community to the fullest extent of the concept of public service (Edson, 2001: p. 44). In order to do this, however, the reputation of the museum must remain intact; this means that decisions about affiliations with those outside the museum itself must be absolutely circumspect. And this, in recent years, is where museums have been coming under fire. The Staff The staff of a museum—from curators to custodians—forms the backbone of day-to-day operations. Considered in that light, the actions of staff members may be seen as a reflection on the museum itself. This is something that pertains to all levels of staffing. The security personnel who are responsible for safeguarding national treasures may not be accorded the highest prestige in society, but the importance of their roles should never be played down. A disturbance that distracts even a single security staff member from absolute vigilance can potentially set off a series of events that may lead to loss through damage or theft. And there are several known instances in which the roles of security personnel have been key in allowing unauthorised access to works of art: that they would willingly allow this is untenable, but not inexplicable. Monetary pressures mount, and outside influences can be very persuasive. Arts organisations cannot think that their people will be immune to these pressures assert Wood and Rentschler (2003). They advise that clearly stated ethical practices be a part of every organisation to avoid this very thing. They must be part of the training program, and they must be reviewed and reinforced on a regular basis to maintain both morale and loyalty. Failure to do so can have irrevocably damaging results: If temptation is not resisted, it can compromise the values for which the organisation stands and irrevocabl y damage the reputation that it may have worked for years to create (Wood Rentschler, 2003). These practices must apply to all levels of museum staff, not just those who can provide immediate access. What about those in positions further up in the hierarchy, who have just as much access as well as additional access and power? Their actions must at all times be in accordance with museum policy; in addition, they must adhere to the law—local, national, and international. This is particularly important when it comes to acquisition of properties whose histories may be questionable. To knowingly—or unknowingly—acquire stolen property is anathema, however authentic a piece may be. Any irregularities regarding provenance are a red flag, since a single lapse in judgment can cost a museum its cultural standing as well as its profitability. Alan Shestock, Director of the Museum of Fine Arts Boston, explains that museum curators are acquirers. . . . Most of us go into the profession because the desire to accumulate and bring together objects of quality is in our blood. We are personally and professionally devoted to adding to and improving our holdings . . . (Shestock, 1989: 97–98). This kind of passion, paired with the need to keep ones collection top-rate, can cause considerable angst. To know that a particular, highly coveted item is authentic is an exciting enough discovery for a museum professional. To know, furthermore, or to merely suspect, that its origins may be less-than-circumspect, means that this object cannot become a part of the museums holdings. This is not an easy thing to do. Explains Shestock: To consciously or intentionally turn down a highly desirable object we can afford to buy on the basis that we suspect that it might have been removed illegally from its country of origin—and also k nowing that it will end up in the collection of a rival institution or an unscrupulous private collector is a very hard thing to do (1989: 97–98). Edson and Dean point out several situations in which the circumstances may lead to ethically questionable behaviors. First, there are curators whose job responsibilities include researching and writing about the objects in their collections. Curators hired to research and interpret the collection in their care sometimes regard the notes and associated materials that result from this work as their personal property, regardless of the museums ownership of the actual collections objects (Edson Dean, 1994: p. 235). If the funding for this research is solely supplied by the institution, all rights would seem to revert to the museum. However, it is seldom this straightforward, as personal research may be involved as well. The situation becomes further complicated when international objects are involved, as there are several sets of law which much be adhered to in order to maintain high ethical standards. There are other, even more controversial situations, however, many of which result in unavoidable conflicts of interest. With whom should ones loyalty lie? According to Edson and Dean, in the case of curators, loyalty must be first to the institution; to avoid having to resolve the issue, they suggest judicious discrimination in selection of any extracurricular pastimes: activities that conflict with this loyalty or cause curators to favor outside or personal interests over those of their institutions must be avoided (1994: 232). What of gifts that are made directly to a museum professional? This can be confusing, since gifts can cover a range of services. A professional who would never under any circumstance accept a costly creation of artistic work may think nothing at all of accepting other favors, such as discounts. But these, too, must be avoided, and ultimately rejected. Finally, since it is commonly accepted that most individuals do not go into the arts for its lucrative remuneration, there may come times when it is necessary for museum personnel to supplement their incomes with additional paying work. This is particularly complex in cases in which higher-level museum professionals, such as curators, moonlight, or do additional evening or weekend work for pay. Such specialized types of work may bring them into contact with numerous opportunities for temptation, all of which are to be turned down to maintain propriety. Even a distant association with parties who are entangled with any kind of illegal trade can taint that professionals reputation, and therefore the museum itself. And cases like this are more common than most would like to admit—not to mention far-reaching: the illicit traffic in cultural property is, like narcotics, an international problem (Herscher, 1989: p. 118). Art for Profit In their article, Show Me the Monet, Steve Friess and Peter Plagens broach a subject which continues to be a point of contention in the art world. They discuss an agreement between the Museum of Fine Arts in Boston and the new Bellagio in Las Vegas, Nevada. According to the agreement, the Boston museum would lend a number of Monets to the Bellagio—for a fee. The tradition of extending loans to one another is long-standing among museums, large and small. The agreement to do so for cash, is less common. Among the loftier institutions, it is practically unheard of. Lending art works for set sums of money puts a new twist on the issue. In return for the loan of Monets, the Bellagio agreed to pay the Museum of Fine Arts a hefty some—at least one million dollars. The traditional cashless quid pro quo for lending art to other museums—OK, well lend you our Picasso if we can borrow your Matisse—had been augmented by lending fees (Friess and Plagens, 2004). This calls into question a number of issues, the most pressing of which seems to be, where does one draw the line? If items which are part of a museums permanent collection are accorded dollar values and made available for that price, can anyone with appropriate funds borrow them? What will this do to the reputations, not only of the museums that engage in this, but to the works of art themselves, and to the notion of cultural heritage in general? Ethics, Profit, and Culture in Dealership In a similar vein, private art dealers have had problems of a slightly different nature over the past few decades. Contemporary notions of an art dealer tend to be unkind. Less-than-savory deals, sly cash transactions, cagy tax evasion: these are what come to mind before the subject of art comes into focus. Art critic Peter Schjeldahl puts it succinctly in his article on art dealership in New York, in which he asserts that popular opinion sees the gallery owner as a stock figure of slinky charlatanry, or worse (2004). Because of this, it is with no small amount of glee that people welcome gossipy tidbits about high-society art dealers being brought down in shady, six-figure stings. People savor the cynical rush of discovering garden-variety greed behind a pose of lofty, intimidating sophistication notes Schjeldahl (2004). But, Schjeldahl points out, no matter what one thinks of an art dealers character, one thing remains constant: good taste. Without it, all the pretension means nothing. In addition, there is a hierarchy among the smaller circle of individual galleries that are also part of the art world. Judging by her record of accomplishment and her reputation in the art world, Marian Goodman seems to embody the highest of standards. First of all, when it comes to discrimination and taste, Goodman seems to have an abundance of both. The reputation of a dealer is of great importance in the art world, despite popular conceptions. Goodman, too, has had to weather the storms of changing times, just as larger, loftier museums have had to do, and she, too, has survived. Among her contemporaries, however, Goodman commands a high level of respect for refusing to follow trends and continuing to maintain her own exemplary standards. She employs what some see as old-fashioned standards in both her selection of gallery site and her selection of artists. For example, her gallery is still located in Manhattan, New York City, despite the mass exodus of galleries to outer boroughs of the metropolis. Furthermore, she has steadfastly remained in the pricier part of Manhattan, in the heart of the theatre district, in the mid-fifties. In his New Yorker article, art critic Peter Schjeldahl explains that Goodman could very easily save money and gain vastly more visibility by relocating to Chelsea . . . (2004, p. 36). However, Goodman refuses to budge, preferring instead the uniqueness of her own more expensive showplace to the identical hives of lower Manhattan. Of course, as a private dealer, she is free of the pressures of a committee of trustees and similar directives. Conclusion The art world is at once a seemingly small and insular community on the one hand, and a global community of vast proportions on the other. What happens in this world affects all parts of it, from the most well endowed museum to the lesser-known private galleries. This paper has attempted to examine how both the not-for-profit and for-profit sectors have managed to survive in the last several decades, adapting to best meet the needs of their patrons while maintaining the integrity and values they hold dear. One thing that is undeniable is reputation: To maintain that reputation at all costs is of vital importance if an institution is to survive and remain a respected part of the art community. Edson and Dean have noted that Objects communicate far beyond the walls of the museum in which they are housed. They influence the appreciation and appearance of objects of everyday use, and the level of respect and understanding for the personal and collective natural and cultural heritage of a people or nation (Edson, 1996, p. 7). The reputation of any building that houses works of art is a priceless commodity, whether it is a huge institution of international reputation, or a small but well-respected gallery with equally high standards of decorum and ethics. The slightest hint of a breach in ethical standards is enough to shake the very foundation of an institution; if the breach itself is, in fact, made known to be fact, it is highly unlikely that it will every regain its former stature, nor command the same level of respect. References Edson, Gary. 2001. Socioexhibitry as Popular Communication. Museum International: July 2001, Vol. 53, Iss. 3, pp. 40–44. Edson, Gary and Dean, David. 1994. The Handbook for Museums. London: Routledge. Feigen, Richard. 2000. Tales from the Art Crypt: The Painters, the Museums, the Curators, the Collectors, the Auctions, the Art. New York: Knopf. Friess, Steve, and Plagens, Peter. 2004. Show Me the Monet. Newsweek. New York, Vol. 143, Iss. 4, p. 60. Herscher, Ellen. 1989. International Control Efforts: Are There Any Good Solutions? In Messenger, P., ed. The Ethics of Collecting Cultural Property. Albuquerque, New Mexico: University of New Mexico Press, pp. 117–128. Messenger, Phyllis, ed. 1989. The Ethics of Collecting Cultural Property. Albuquerque, New Mexico: University of New Mexico Press. Schjeldahl, Peter. 2004. Dealership: Onward and Upward With the Arts. The New Yorker. New York: Feb. 2, 2004, p. 36. Shestock, Alan. 1989. The Museum and Cultural Property: The Transformation of Institutional Ethics. In Messenger, P., ed. The Ethics of Collecting Cultural Property. Albuquerque, New Mexico: University of New Mexico Press, pp. 93– 102. Wood,Greg, and Rentschler, Ruth. 2003. Ethical behaviour: The Means for Creating and Maintaining Better Reputations in Arts Organisations. Management Decision. London: 2003.Vol. 41, Iss. 5/6, p.528-537.

Corporate Events in Intramuros

University of the Philippines Manila National Graduate Office for the Health Sciences How Many Corporate Events on a particular week day in Intramural? Sherry Ann N. Shares 2014- 85177 2014-2015/ 1st semester Master in Management / College of Arts and Sciences Problem of the Study How many Corporate Events on a particular week day in Intramural?Introduction of the Study Corporate event Is an event sponsored by a corporation for the purpose of cleaving specific goals and objectives such as entertaining customers, Introducing and promoting new products or services, or providing Incentives or training for employees, as well as other activities (Wiley International Dictionary of Event control – all basic principles of project management (Mastitis, P. , & Tooled, W. , 2002). Based on research, the areas of management for corporate events are the if: scope, time, cost, risk, content, human resources, procurement, and communication.Thus, there is a need to identify that factors that is relative to the number of corporate events per day. Locale of the study The locale of the study is Intramural which is suited in Manila City. It is a 64-hectare tone citadel, founded by the Spanish in 1571, and has withstood wars, natural disasters and successive waves of colonial invaders, and such stands as a metaphor of Manila itself. (http://content. Time. Com/time/travel/citywide/article/ Intramural is a Latin word meaning â€Å"within the walls†. A place or monument of the Spanish period in the Philippine history.It is also known as the â€Å"Walled City†. It is one of the principal tour destination in the Philippines. Fig. 1 Map of Intramural Hypothesis Hon.: No. Of corporate events per day is not relative with the span of time of the event Ha: No. F corporate events per day is significantly relative to the day of the week. Research Methods This presents the methods used in the research and the respondents of the study to gather the data needed. Methods The i nstrument and method being used in gathering the necessary data. Interview.Used by the researcher to the gather the primary source of data, it also gave the researchers the opportunity to gather the list of events in Intramural. Furthermore, it gave the opportunity to clarify issues concerning the problem. Walk-in Observation. The observation was also an excellent source of data. The research decided to conduct walk-in observation at the last minute of the study since the hotel do not provide information on their corporate events. Respondents There are two respondents/source of the study: The Flyleaf Hotel and the Intramural Administration. The Flyleaf Hotel. The only hotel inside Intramural.Launched in November 2011, this boutique hotel promises a restful experience for its guests given its 5 star quality beddings, room amenities and a spacious bathroom (http://www. Tableland. Com. PH/ about-us). Intramural Administration (IA). A national government agency created on April 10, 1979 , under Presidential Decree 1616. It is tasked to restore the Walled City of Intramural and develop it into a prime urban tourist destination. Sis's objective is to make this â€Å"city within a city† socially, economically and culturally viable again while as a main center of tourist activity in the City of Manila.It is involved not only in the restoration but also in urban renewal and income generation (IA leaflet). Data Gathering The researcher gathered data from a hotel (Flyleaf Hotel) and government agency (Intramural Administration). The information from the hotel were exclusive which exulted to a walk-in observation and sampling. On the other hand, data gathering through the government agency was easier through their list and schedule of corporate events for the year 2014. The researcher also read articles and books on Corporate Events Management and other related topics to the study.The Flyleaf Hotel. On a phone interview with Ms. Marie Toleration, Sales Manager of Th e Flyleaf, they could not provide the information needed. She also said that â€Å"most of the events held at the hotel were exclusive and not open to the public†. Since the researcher id not gathered information from the hotel, it resulted to the conduct of a walk-in random sampling at the last minute Just to have the number of events in a hotel and a comparison of data. The researcher conducted a random walk-in sampling on the number of events in the hotel on August 27, 2014 (Wednesday) and August 29, 2014 (Thursday).It was found-out that there is no corporate event held in said hotel on August 27, 2014 and there were four (4) corporate events on August 28, 2014. Intramural Administration (IA). The researcher conducted interview with the Tourism Promotion Division of the IA. The IA has the authority among the public places and venues inside Intramural. All of the events within the vicinity of the Intramural is and must be approved by the IA thus the said agency has the list of the approved corporate events for the year (2014).Data Presentation and Analysis This presents the data gathered based on the information gathered from the IA and the Flyleaf Hotel in Intramural. Table 1 . Corporate Events at the Flyleaf Hotel (August 25-31, 2014) DAYS OF THE WEEK (August 25-31, 2014) No. Of corporate events (Frequency) Monday No data gathered Tuesday Wednesday Thursday 4 Saturday Sunday TOTAL Based on a two-day observation of the corporate events held at the Flyleaf Intramural, it shows that one day of the week (Wednesday) has no corporate event and on the other day of the week (Thursday) has 4 events.These events are meeting and trainings of the employees of different corporation. So, it is not open to public. Data also shows that the week of day or the schedule of the event is relative on the number of events per day. Though, it could not be concluded since it is only a two-day observation. Table 2. Corporate Event per Day of the Week in Intramural Noun 9 â⠂¬â€œ 15, 2014) DAYS OF THE WEEK (JUNE 9-15, 2014) Friday 3 Table 2 shows that data gathered from the Intramural Administration on a random sampling of a week of the year 2014, it shows that there are only three days (3) in a week with an event and each day has only one event.

Check Point Personal Philosophy of Education

Checkpoint Personal Philosophy of Education Rachel Pearson AED 200 03/16/2013 Dr. Maloney Hunter-Lowe Philosophy of Education The Philosophy of education I would use would be Essentialism education. Essentialism hypothesis tells that there is a general nucleus of talents and information that an educated individual should have. I share the same opinion. I trust that there are certain talents that all people should have. The talents are basic talents however they are the starting point. Talents are building blocks that let children to continue stepping up to the next higher level of education that an individual should have.Instructional Philosophy I would have a behaviorist style in my class. The hypothesis of behaviorist is an educational and psychological hypothesis that states that one’s attitude is revealed by surroundings, not some one’s heredity. I believe that this is very significant because if an individual is in a bad surrounding, then their learning is slowed d own by that bad surrounding. If a child is in a good surrounding they are more willing to learn and they absorb the teachings better. Behaviorist or Constructive approach to instructionI personally love the opinion of having Essentialism and Behaviorist merged together. Those two are my personal philosophy in education. Essentialism philosophy and the behaviorist style combined bring out the reality that there are definitely talents required and that the surroundings must be precise for a child’s learning. These opinions will help me supervise my classroom better and assist with my instructional technique. When the four are combined, they will work fine with each other and make me a better teacher. Check Point Personal Philosophy of Education Checkpoint Personal Philosophy of Education Rachel Pearson AED 200 03/16/2013 Dr. Maloney Hunter-Lowe Philosophy of Education The Philosophy of education I would use would be Essentialism education. Essentialism hypothesis tells that there is a general nucleus of talents and information that an educated individual should have. I share the same opinion. I trust that there are certain talents that all people should have. The talents are basic talents however they are the starting point. Talents are building blocks that let children to continue stepping up to the next higher level of education that an individual should have.Instructional Philosophy I would have a behaviorist style in my class. The hypothesis of behaviorist is an educational and psychological hypothesis that states that one’s attitude is revealed by surroundings, not some one’s heredity. I believe that this is very significant because if an individual is in a bad surrounding, then their learning is slowed d own by that bad surrounding. If a child is in a good surrounding they are more willing to learn and they absorb the teachings better. Behaviorist or Constructive approach to instructionI personally love the opinion of having Essentialism and Behaviorist merged together. Those two are my personal philosophy in education. Essentialism philosophy and the behaviorist style combined bring out the reality that there are definitely talents required and that the surroundings must be precise for a child’s learning. These opinions will help me supervise my classroom better and assist with my instructional technique. When the four are combined, they will work fine with each other and make me a better teacher.

The Is The Ideal Role Model For Society - 990 Words

The Confucianist is the ideal role model for society, as the belief system will support order on the journey to understanding the self. The teachings of Confucius heavily influenced the Tang, Han and Song dynasties as an ethical model for family, social and political interactions. The political leaders were urged to practice self discipline, humility, and compassion as leaders in order to effectively lead by example. Confucius’ li directed human behavior as based upon proper conduct, ritual, or propriety that is codified in the Li ji or Record of Rites. Confucius also believed that beyond the values of humanity, goodness, and benevolence, a full knowledge of the world may only be accomplished through obtaining a full understanding of self and of one’s life purpose. Academic learning is deemed as valuable and necessary for social and career advancement. A noble person, or chun-tzu, is one who obeys the teachings of Confucianism and thus is considered a master (Eno, 2015 ). Confucianism integrates morality through customs, habits and other conventions into the virtues that are to shape daily life. The manifestation of li is reflected in the individual fulfillment of specific roles and characteristics of excellency in regard to virtue. Hayes (2013) described li as the underlying structure of the social and moral development of ren. Li, along with the interconnected virtues of yi, zhi, and ren, is a central concept of Confucius’ ethics by which all life is ritualized andShow MoreRelatedThe Negative Impact Of Social Media And Body Image1452 Words   |  6 Pagesimage. The ideal body image that is seen by today’s society is tall, thin, muscular, and fit. It is constantly advertised in various forms of media including, such as televisions, magazines, internet, and smartphone devices, which make others feel insecure about appearance and health. 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